Archive for the My Opinion, love it or leave it Category

The Porn of Writing

Posted in Books, My Opinion, love it or leave it, Novel Process, The Novel Process, Writing with tags , , , , , , on February 21, 2013 by tgrey468

Good evening.

I have found that writing stories both short and long is such an intimate activity, where we delve into our own souls and the world around us to find the depth and meaning which will give our characters and tales life and spark the imaginations of our readers, that I’ve started a blog about the whole story-writing process. It’s writing through a steamy lens, but still G rated. It’s less a manual and more an homage to our moments of creation.

fiftyshadesoftgrey.wordpress.com


This week it’s CHARACTER.  

For those who missed it, last week was the IDEA.

Coming Soon: The Menage-a-Plot, Straddling the Setting, Tying Down Conflict, Resisting Resolution.
Enjoy.

Cheers,

T Bone
(Tim G. Reynolds/TGrey)

www.tgmreynolds.com

Tim Reynolds`writing tools

The Writing Tools of Tim Reynolds

REsolving the Issues of 2012 in 2013

Posted in My Opinion, love it or leave it with tags , , , , , , , , , , , , on January 1, 2013 by tgrey468

At the Calgary Zoo, 2012

Reflection on the frozen Bow River. Calgary, AB.

I hereby resolve to make more resolutions, starting with these 7.

1. Find those droids I’ve been looking for.

2. Teach Lassie to get help, just in case I ever fall in a well.

3. Get a promotion so I can stop wearing red shirts on away missions.

4. Show Kaylee just how shiny it can get.

5. Prove that Deckard is one of them.

6. Go see those people at Rekall about a vacation to Mars. 

And, finally…

7. While away the hours with my new brain.

That’s it, that’s all. Have a great 2013!

Ciao for now,

T-Bone.

Write or don’t write… there is no ‘try’.

Posted in My Opinion, love it or leave it, Writing with tags , , , , on September 20, 2012 by tgrey468

One of the many topics our writing group beats about the head and shoulders with a verbal stick is which short story markets to write for. Paying? Non-paying? Established? Newbie? Electronic only? Print only?

My opinion is simple: Writing short stories only for paying markets is like making only movies that will win Oscars or singing only songs that will be on a commercial album. A waste of time. Write because you have a story to tell, not a story to sell.

The Shelf of Tim Reynolds

My digitally-rendered bookshelf, including mock covers for a couple ePub-only sales.

“What if I write a great story and give it to a no-pay market when I could have been patient and sold it to a major market?” So what. Write another one. In the past year I have written 18 short stories and two poems, so I’m not particularly sympathetic when someone whines about where to sell their one short story. If your story sold to a small market but you want to sell to a major market (one which pays pro rates or anything at all), then write another story. Then write another one. And another one. Don’t stop writing and don’t stop submitting.

Another reason to keep writing short after short is that it’s highly unlikely that the first story out of your head will be the best thing you EVER write. Most writers get better when they write more. When I look at what I wrote a year ago compared to now, eighteen stories later, I can see a difference, a level of polish developed in twelve months.

Make each story a little different, a little better than the last one, and write a lot. I get sad when I speak to writers who have one or two short stories that they have been working on and polishing for a year or two (or more!) and never submit anywhere. Write the best story you can, have someone with experience critique it, do your revisions, then submit it. While the editors are looking at it, start the next story. Create new characters to fall in love with and keep the ball rolling. Personally, I have no time to stress over what an editor might say because I have at least one short story and two novels on the go at all times. At least.

If you want to call yourself a writer, at some point you have to gather all of your research, brainstorming notes, and brilliant ideas, and write. It doesn’t even have to be good. That’s one of the biggest mistakes rookie writers make — thinking that what they write must be good. They’re dead wrong. It just has to be written. It’s in the proofreading, revising, and editing that the greatness comes out.

Write crap then revise brilliantly.

The more you write, though, the better your first drafts will get and soon you won’t be writing crap and revising/editing won’t be so tedious. Writing is a craft. Or a sport. Tiger Woods did not walk out onto a golf course and win his first championship without hitting bucket after bucket of balls with his dad. There’s a reason there are driving ranges and batting cages and backyard ice rinks. Skill comes from repetition. Anyone can throw a football. Whether it’s 50 yards or 5 inches, it’s thrown, by definition. But to go from 5 inches of a floppy toss at age 2 to pin-point accuracy in the rain with four three-hundred-pounders of the Packers D-Line bearing down on you… that takes throwing and throwing and throwing. Years of practice and more bruises than you can count.

Writing is the same. If your stories suck, don’t stop writing, just stop showing your work to other people until you think it’s ready. Write. Write. Write more. Then, dammit, write until your brain wants to explode from the sheer magnitude of the ideas busting to get out. It will happen.

Do I guarantee it? No. But I can guarantee one thing: You will never be a great writer if you don’t write.

That’s it, that’s all folks.

Ciao for now.

T-Bone.

A Short Summary of Tim Reynolds’ Published Short Fiction Since 9-2011

Posted in Books, Books Books Books, My Opinion, love it or leave it, Short Fiction, Writing with tags , , , , , , on September 14, 2012 by tgrey468

Howdy.

It has been a busy 12 months for my suddenly-alive short story writing and I thought I’d quickly toss up the covers of the projects done and the ones scheduled before the end of 2012. Let’s start with the Photoshopped writer’s shelf.

My Writer's Shelf

Writer’s Tears with writer’s cheers (covers).

Imaginarium 2012

Imaginarium 2012: Containing “Hawkwood’s Folly” by Tim Reynolds.

In Places Between 2012

In Places Between 2012: Contains “Lyoshka & the Steam Butterfly” by Tim Reynolds.

Mytherium: Tales of Mythical and Magical Creatures

Mytherium: Tales of Mythical and Magical Creatures. Contains “Dragons in Suburbia” by Tim Reynolds.

Cavalcade Of Terror

Cavalcade Of Terror: Contains “Of Monsters and Men” by Tim Reynolds.

Danse Macabre: Encounters with the Reaper

Danse Macabre: Encounters with the Reaper. Contains “Blue-Black Night” by Tim Reynolds.

Shanghai Steam

Shanghai Steam: Contains “The Ability of Lightness” by Tim Reynolds

I'll Never Go Away 2

I’ll Never Go Away 2: Contains “Danny in the Dark” by Tim Reynolds.

20001: A Steampunk Odyssey

20001: A Steampunk Odyssey: Contains “Hawkwood’s Folly” by Tim Reynolds.

That’s it, so far. There are a couple web-based publications without cover art and there are some pending projects, but these are the anthologies from the last year, up to the end of October 2012.

More information can be found at www.tgmreynolds.com or on Amazon.com at my Author Central Page: http://www.amazon.com/-/e/B003KCV338.

It’s Friday night and I needs food, so

Ciao for now.

T-Bone.

Faith, and stuff. Ramblings from my Facebook posts when I should be working.

Posted in My Opinion, love it or leave it with tags , , , , , , , , , , , , , , on August 4, 2012 by tgrey468

Feel free to disagree with me. I’ll probably disagree with you.

We must not use logic or science to challenge faith, but rather use ‘equality for all mankind’ as the basis. 
There is no need to understand the ‘why’ of faith, only what the result will be when that faith is acted upon. 

“Will my faith feed the hungry and clothe the poor of ALL faiths?” or “Will my faith kill my children and condemn my neighbour because they challenge or refuse to share my faith?”

***

Two words I don’t think should ever be used together: “Holy” and “War”. Unless they’re part of a sentence which separates them, like “Holy Shit, Batman, are we at war again?!”

***

We cannot tell a man (or woman) what he believes, we can just put forth points of views and have discussions which challenge his beliefs and asks him to defend them. By defending our beliefs (ANY beliefs, even that the Leafs will some day win the Cup again), we grow to understand our faith and usually reinforce it. The person who cannot stand to have their faith challenged, is someone who fears their faith may not hold up to scrutiny or the light of day.

***

Just to clarify, my comments and questions about Faith are in part because I come from a long line of religious leaders, missionaries, and the persecuted (though mostly for political, not religious reasons). My words are meant to challenge my own family history, not just others. 

Like most people, my family has fought wars, formed nations, had Faith, and stood by their beliefs when challenged. But they also tried to convert the natives and they owned at least one slave. 

They were products of their times and they created their times, as am/have I. I would never own another human being, but I’m pretty sure I could pull the trigger with very little guilt if someone entered my domain and tried to kill my loved ones, no matter what justification they offered. 

I try to put all of my ‘brain crops’ into my fiction, not just to say what I think, but to make others decide what they think. Because if we don’t examine, don’t challenge, don’t think and rethink, whatever we have Faith in will be worthless.

That’s my little ramble for the day. I suppose I’m just avoiding the reading and editing on my desk. Well, back to it.

Ciao for now,

T-Bone.

 

The Search for the ‘Perfect’ Author Photo of an Imperfect Author

Posted in Books, My Opinion, love it or leave it, Novel Process with tags , , , , , , on July 14, 2012 by tgrey468
Tim Reynolds - writer

Author Tim Reynolds, who specializes in stories that mess with history and time.

Very quickly (it’s late): I have tried numerous photos to represent me and my writing and got carried away trying to put all of the book covers into the shot now that I actually have some to add, but in my life & writing there are some common elements which I think can be better represented than they have been.

I refuse to do a serious photo with my chin on my fist — that’s intellectual cheesecake and smacks of lack of imagination. If we can write amazing stories, can we not imagine a photo which shows readers who we are (or as much as we’re willing to reveal)?

I can. So here’s the latest incarnation of my author photo. This one is for my Tim Reynolds/Timothy Reynolds/Timothy G.M. Reynolds self. My pen names will just have to find their own photos. This shot shows a skull prop from one of my stories (“Hawkwood’s Folly”) and the watch from my as-yet-unpublished “Picking a Professor”, which got me started collecting cool pocket watches. Photoshop 5 was used to put it all together. But what’s most important here is that this shot shows my sense of mischief (I hope). All you can expect from my stories is the unexpected, and maybe a sense of fun.

That’s it, that’s all.

Ciao for now,

T-Bone.

End the Glorifying of Serial/Fame Killers

Posted in My Opinion, love it or leave it with tags , , , , , , , , , , , , on July 14, 2012 by tgrey468

RANT & Rhetorical Question TIME: Does knowing about horrific crimes deter us from committing anything similar? Or does it just titillate and entertain us? 

What if there was an immediate publication ban on the names of all fame/serial killers so that they can’t achieve ANY degree of fame or infamy. We don’t learn from past mistakes so why glorify them? 

Give the f**kers a numerical code, not cool monickers (Hillside Strangler) or ANY photos. 

For every sick, twisted, murdering freak loving the press and attention, there are dozens more already trying to figure out how they can do one better. Bundy, Gacey, Dahlmer, Berkowitz… if we didn’t even know their names people couldn’t identify with them and perpetuate their infamy. 

How many people would follow the story of a serial killer and his trial if the details were limited to “Some guy killed some people and will probably not be put in general population in prison because he has still has rights he gave up when he took another life”?

And not just ban the publication of the names and details, but make the penalties for doing so so steep that a publication couldn’t afford to violate the rule.

Yah, I hear you now chanting “Freedom of the Press!”, “Freedom of Information”, “The people have a right to know!” “You can’t tell us what we can and can’t know!” “That’s censorship!”

You say that now, but I bet if any of you lost a family member to serial/fame-killer(s) you’d change your tune. Have I? Of course not. I don’t need to feel the pain first hand to recognize that a serious-ass problem exists and everyone of you who repeat a name or read an article are part of the problem. 

Evil doesn’t create these beasts, WE do. 

(Rant done. Back to writing about fictional societies that are even more broken than our own.)

 

Ciao for now,

T-Bone.

Best of Canadian Speculative Writing of 2011? Cool!

Posted in Books, My Opinion, love it or leave it, Short Fiction with tags , , , , , , , , , , on June 23, 2012 by tgrey468

Imaginarium 2012 is the collection of the ‘Best of Canadian Speculative Writing and my own short story “Hawkwood’s Folly” has been accepted into this terrific ‘Best of’. What an honour! It’s a little story I wrote for Kindling Press‘ fledgling collection, 20001: A Steampunk Odyssey, which is a collection of Steampunk tributes/homages to the nautical writings of Jules Verne.

“From gunshots in the streets of Paris to brass-and-glass automatons on the sea floor off the coast of North Africa, Hawkwood’s Folly draws an English lord, a French doctor and a young Russian bo’s'n’s mate into the deadly ocean depths on their quest to build a Utopia where no man has ventured before. The story blends together equal portions of science, philosophy, and adventure in a Jules Verne homage that asks ‘how far is too far?’.”

The collection is due July 17th, 2012 and preorder is available here: Amazon Canada or Amazon.com. Kelley Armstrong and I will both be attending the readers’ festival When Words Collide 2012 in Calgary from August 10-12, 2012. As a matter of fact, Kelley is one of the special guests.

For a complete table of contents and a list of the worthy honourable mentions, this is the place to hie theeself to: ChiZine Publications.

So, thanks to everyone for their support and encouragement. This feather in my cap was not achieved alone. Special thanks to Sue Campbell and Jennifer Rahn, my beta readers for “Hawkwood’s Folly” and Peter Smalley, Bev Gelfand and the editorial crew at Kindling Press.

Ciao for now,

T-Bone.

Image

PornStar Cleaning?! Where this writer gets his ideas…

Posted in Books Books Books, My Opinion, love it or leave it, Short Fiction, The Novel Process with tags , , , , , , , , , , on May 12, 2012 by tgrey468

“Where do you get your ideas?”

“What’s going on inside that head of yours?”

“Have you considered getting therapy?”

Time to answer at least the first question, which in turn might give up some insights into the second. No comment on the third.

“Where do you get your ideas?” is a question every published writer hears at least once. The more we get published, the more we hear it. The question can be asked, but can it actually be answered?

Of course. I can answer it for me, quite easily. But that’s not the question that’s really being asked. What’s really being asked is “Where can I get ideas like yours?”. Read that, too, as “Teach me to find ideas the way you do. Please and thank you.”

I can’t. Sorry. I can only tell you what I do, how I go about it all, and then you have to extrapolate the tidbits that fit your personality, your way of thinking and doing.I know for a fact that sometimes the way I think totally escapes the understanding of some people, and by ‘some people’, I mean my wife, Sue. :)

So, what do I do?

Well, I’m a big fan of “What If?” I see something: an object, a scene, a person, a word… and I ask myself, “what if…?” I once saw a Schnauser (dog) having its way with a Siamese (cat). I asked myself what their offspring be? (The answer became a short-lived, very off-colour joke in my comedy routine. Someday it may make it into one of my stories, but not yet.

Next: a man with MS moved slowly along the sidewalk, every step taking effort and concentration. My father had MS but his symptoms never manifested themselves like this stranger’s did so I asked myself “What if… I inherited MS from my father and it didn’t show up until now, when I’m in my fifties?” Then I asked “What if I wrote about a hero with late-onset MS who not only had to deal with this new illness but still save the world?”

Working cover for unpublished novel.

Then I asked “What if, when this hero died, when he failed at the task he was given, thousands of others died, too?” And I finally asked myself “What is the task that this MS-dealing, fifty-year-old hero is given that is so damned important to mankind?” The answer became my as-yet-unpublished novel, The Broken Shield.

“What if…?” should also lead you to opposites, and just so we’re clear, “What if…?” can also be “Who would…?” “Where would…?” “When would…?” “Why would…?” or “How could…?”. Write the answer to your first ‘What if…?” in the middle of a piece of paper. Let’s start with “Who would drive a vehicle off a bridge?” Write some possible answers: a parent, a police officer, a motorcyclist, a cab driver, a bus driver. Ooo… a bus driver.

Now I ask “What if it was a bus driver and everyone on the bus dies?” Answers might include “he burns in Hell”, “he becomes a ghost”, “he’s a hero”, “he’s brought back to life and suffers hauntings at the ghostly hands of his victims”. Hmmm… interesting choices. Let’s pick the oddest one, the hardest one to imagine… he kills everyone and he’s seen as a hero.

A hero? A bus driver kills all his passengers and he’s a hero? Bullsh*t. Can’t make it work. No? “What if the passengers were all pedophiles?” Nope, it’s still murder even if it’s what they deserve, and rest assured that not everyone will agree that this is the meaning of justice. Some say that justice belongs only in the hands of the courts or God, and many say not even the courts have the right to judge.

“What if they were aliens?” Nope. Even ET has rights. Okay, but we’re on to something here. “What if they’re not human?” Aliens are out, at least without rewriting “Alien” and it’s many sequels. Veloceraptors might work, but it’s just a re-imagining of a Jurassic Park-type tale. “What if they were…. demons!” Of course! No one sympathizes with demons. Well, almost no one. But reviewers are highly unlikely to vilify you for destroying demons, are they?

Okay, so far we’ve got a bus driver who drives his bus off a bridge and kills all his demonic passengers. Interesting idea. Now, “Why are they on the bus?” “What about the rest of the passengers?” “Where are they?” “Where are they going?” “Are they disguised?” “How does he know they’re demons?”

Answering these questions leads us to things like: “they’re on the way to a convention”, “they’re the only passengers” Why? “Because they hired the bus and the driver.” “They’re going to feed on souls.” Souls? “The souls of children.” Where? “In a school.” (Boring!) “In an orphanage” (A bit better). Wait… orphans? That’s an interesting direction. Let’s explore it a bit more. No one will miss orphans so they’re perfect targets for demons. But won’t an empty orphanage raise questions? Not if the orphans are outside the system. Maybe they’re… victims of a disaster.

And that’s where my short story Shut Up & Drive came from. I asked “What if…?” and “How could…?” and I ended up with a story of Juan, a bus driver who is hired to drive a load of disguised demons into earthquake-ravaged Chile so they can feed on the souls of children orphaned by the disaster. Juan can see them because he once died in a plane crash that killed his own family, but he was revived and can now see and hear things the rest of us can’t. You might be able to guess how the story ends, but when you started reading this article did you think a bus driver who kills his passengers could be seen as a hero? Read “Shut Up & Drive” when it comes out in the disaster-relief fundraising horror disaster anthology from HorrorAddicts.net this fall.

“What if…?” Hard to ask, harder to answer, but well worth the pain.

Don’t be afraid to ask yourself the tough questions. “What if my hero was not just a crime scene investigator, but a serial killer as well?” His name would be Dexter and he’d have a TV show.

“I’m a man but what if my hero was a woman?” Or vice versa, obviously.

“What if my hero was a gay woman?” “A transgender person?” “A trans-species person?” (formerly a chimp or an alligator?)

“What if my hero travels in time but gets stuck? Stuck in other peoples’ bodies and times?” Sounds like Quantum Leap to me.

Don’t forget the little questions, too. “What if my hero is a slob?” “What if he never washes dishes and just uses paper plates?” “What if he only gets take-out?” “What if he is a crime scene cleaner who gets paid an obscene amount of money but can’t stand the smell of PineSol so he never cleans at home?” The little questions can lead to big ones or just small, character-defining ones.

Sometimes an idea pops into the head fully-formed and ready to write. I have a novel that came to me in a dream, but it was only 80% formed. The other 20% came from asking questions like “Who is this famous ghost?” “Where would my hero run away to?” “Who would he run away from?” “How did they fall in love?” “How can I make this story different from the movie Ghost?”, and then sifting through the long list of answers.

For this whole process to work, you must overcome fear. Fear? Fear of an idea sounding stupid. (No one wants to read about a photographer who snaps pictures of covered bridges in Madison County!)  Fear of facing your fears. Fear that you’re a bad person if you come up with a strange, dark, twisted idea that makes readers scream and run for cover. (I can’t write about a killer clown/demon/thingy… people will think I’m strange and broken and need help!)

So, look at the world around you and ask “What if…?” What if my Yorkshire Terrier was the size of a black bear? What if my cat could speak fluent French but I only spoke a little? What if the clock I got from my mother-in-law only ran backwards when she was visiting? What if I really want to be a writer but I don’t know where to get ideas?

That’s how I do it. I look and see and ask. I drive around the city and let things seep into my brain. Sometimes the fun even comes from misinterpretation. My eyes saw a sign for ProStar Cleaners. The first time past my brain read “Prostate Cleaners”. Oooh! Gross! The second time it read “PornStar Cleaners”. Now THAT has some story potential.

Have fun, let your imagination off its leash and see where it runs to. If it runs too far, don’t worry, it’ll always run home again, eventually, and you’ll get a kick out of the stuff that it’s dragged home when it barks at your door. Is that a dinosaur bone Titan is chewing on? Cool…

That’s it, that’s all. Go imagine something cool. You have it in you to do it, I know you do.

Ciao for now.

T-Bone.

Humor/Humour

Posted in My Opinion, love it or leave it with tags , , , , , , , , , , , , on May 12, 2012 by tgrey468

Humour… let’s get this topic started.

This is not meant to be an all-encompassing dissertation on the nature of ‘funny’, simply a few notes to get your brains oiled. My focus here is aimed primarily at humour in fiction.

There are many different reasons for a character to use humour, including seeking social approval, self-defence against a bully, or even to facilitate bullying, which can lead right back to ‘social approval’ and ‘self-defence’when the reason for bullying is examined. For me it was always about self defence. I was a little guy who got picked on a lot but when I could make them laugh, they stopped shoving me around and listened. I also did my share of bullying for the same reason. I’m not proud of that.

Tim Reynolds on stage

Tim Reynolds slaughtering sacred cows at The Laugh Shop in Calgary.

Different styles of humour include sarcasm (Wikipedia: “a sharp, bitter, or cutting expression or remark; a bitter jibe or taunt, usually conveyed through irony or understatement”), self-’defecating’ (when you crap on yourself before anyone else can. Rodney Dangerfield: “I was so ugly when I was born that the doctor slapped my mother!”), puns (word play which suggests two or more meanings. George Carlin: “Atheism is a non-prophet institution”), and what stand-up comics call ‘street jokes’: “A priest, a rabbi, and an alien walk into a bar…”

In a piece of fiction, humour can be used to define a character: a goofy character with low confidence and self-esteem might make fun of themselves; or an insecure female supervisor might use humiliation and sarcasm to lift themselves up while putting underlings down (Janice the Supervisor in the film “WANTED”).

Or it might be used to relieve tension amongst the characters: “George, if you don’t put the gun down, Bob will shoot you in the… hey! Who farted?! George, was that you? Goddammit, George!”

…or tension in the story: The Shining. Jack Nicholson’s character, Jack Torrance, snaps, takes an axe to the bathroom door, pokes his face through the opening… “Heeeere’s Johnny!” In spite of the situation Shelley Di=uvall’s character is in, the moment makes us laugh a little and snaps the rubber band of fear building up to this point.

A character can also be defined by their lack of sense of humour, with regards to the situation or the other characters. A wise-cracking thug might just get shot in the head by a crime boss who just doesn’t get the joke.

Humour can be overdone, too, like the best friend who’s always claiming that the street jokes he’s telling really happened to him “I was working in this bar when a priest, a rabbi and an alien walked in…” or the one who has to make a pun of EVERYTHING. Used effectively, though, both good or bad humour is a writing tool to add depth to characters, scenes and your overall story.

Irma Bombeck had readers laughing from her opening sentence and she still got her message across. Stephen King uses humour to pop the bubble of tension so he can build you back up to a higher plateau of fear before scaring you off the summit, screaming land shaking all the way to the bottom.

Not everyone is funny, though, and that includes writers as well as their characters. You may have to watch a few YouTube videos to find out both what appeals to you as a reader/listener and as a writer. Humour is a language and if you’re not fluent, you can still study a little, take what you need, and make your story even more relatable to the readers.

Just my thoughts. Take ‘em or leave ‘em.

Ciao for now.

Tim.

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