The Brilliant Banner for Writers…if I say so myself.

Most writers I know are on a limited budget for advertising and promotion, especially the self-published ones. Even the writers with traditional publishers may have to foot the bill for some or all promotional supplies.

I, myself, am both self-published (4 books) and traditionally published. When I’ve done book signings in the past I had some nicely done 8×10 covers in frames on the table, with teasers about the book and even reviews. It looked well and good and…cheesy. At multiple-author events, the authors who got the most attention (and often the most sales) had a LARGE presence in the form of a banner.

Banners are great for signings, readings, and trade shows. The problem is that many authors have multiple books they need to promote, though seldom all at the same time. They might have a signing for their YA novel tomorrow, then a reading for their sci fi opus on Sunday, and have a table set up at World Fantasy Convention next week. You want your banner to promote your product, but that’s three products, which makes for three banners. Banners aren’t cheap. The stands can be reused, but a banner for each book gets prohibitively expensive.

My solution? An adaptable, multi-use banner.

STEP ONE: Design a banner that covers as many of your bases as possible, without using any specific titles. This is the hardest step. Many of you will want to get your banner professionally designed. I have a background in graphics, so I did my own.

My author banner. 30″ x 72″

Here’s mine. It’s 30″ x 72″. I’ve cropped off the bottom because it’s not important right now. If you can’t read what it says, here it is:

“Timothy Reynolds. Spinner of Tales, Fabricator of Fictions, Twister of History. ‘Canada’s Modern-Day Aesop’ ~ Barbara Budd, CBC Radio.”

That’s my name, a catchy/cute way of saying what I do, and the best promo quote I have. It also has my author photo, a moon with a bloody screaming face, and a generic city scape at night…to add atmosphere. Much of what I write has a dark element to it, so this is not a light and fluffy smiles-and-puppies banner.

There’s no publisher name at all. Not even my own company. Why? Because if I put Cometcatcher Press on it, then I can’t use it when I’m promoting “When Anastasia Laughs”, which will be published by Tyche Books in 2016, or “Tesseracts Seventeen” from Edge Science Fiction & Fantasy Publishing, which contains my short story “Why Pete?”.

Covers as photographs mounted on foam core and laminated.

STEP TWO: Have your cover(s) reproduced as photographs, mounted on foam core and laminated for protection. Almost every film lab can do this for you. I use Western Canada’s best: London Drugs.

I had all four covers done as 5x7s. Why? Because 5x7s are lighter than 8x10s and will remain in place better.

Magnetic Tape

STEP THREE: You will need magnetic tape. It’s available at Michael’s Arts & Crafts and 10′ costs less than $5. Cut two 5″ strips for each cover. Because the strips will maintain their shape from when they were on the roll, take the strips and place them on a flat surface, under a heavy weight, overnight. Once they are flat, they are ready to use.

A cover and the magnetic strips.

STEP FOUR: Working on a clean surface, place a cover face down. Peel the backing off of the magnetic tape, and place two strips firmly on the back of the cover, centred left-to-right and down a bit from the top.

Peeling Magnet Paper Off

Place the magnetic tape on the back of the cover. Press firmly.

STEP FIVE: While the banner is hanging, place the cover where you want it to be, then place the second magnetic strip on the back of the banner, directly opposite the strip on the cover.

Magnetic strips in place on the back of the banner, holding the cover in place.

When it’s all done, you have a banner with one (or in this case, two) covers on display. You can do the same with the publisher’s logo and even a sign with the times you will be present. Other possibilities include: “Coming Soon”, “New York Times Bestseller”, or whatever your heart desires. Reviews, quotes, anything. All I suggest is to not overload the banner.

Two light-weight but sturdy covers magnetically attached to a banner.

The foam core is very light weight, as is the magnetic tape. I had considered using adhesive Velcro, but then the banner couldn’t be rolled up smoothly. This method with the magnets allows complete removal of the artwork and for the banner to be rolled and stored indefinitely without damage being done to its surface or shape. For a stronger attachment, put magnetic tape near the bottom of the cover as well.

(NOTE: I’m still not sold on the white borders I put on the covers, but with a sharp blade I can remove them easily.)

STEP SIX: Get yourself a 6×8 Rubbermaid lunch box for storing the covers, a hard plastic tube for the banner, and you’re all set for your next signing.

MATERIALS: Magnetic Tape: $5. Banner on heavy outdoor vinyl: $63 & Stand (includes carrying bag): $40 (both from Vistaprint), Plastic banner tube $21 from a local Digital Post store. BTW, VistaPrint is always having sales, so set up an account, do the design work, and wait. They will send you an email shortly with the latest sale. You can save anywhere from $10 to 33% of your entire order. Their online design & preview kicks ass, too.

Note: in some of the photos above you can see what look like creases on the banner. It was damaged in shipping. I called VistaPrint and explained the situation. Without seeing photos or getting witness statements, they immediately ordered a new one and it was shipped out the next day. It should arrive here next week. Their customer service is second-to-none.

I hope this gives you some ideas and inspires you to get out there and promote your writing with a professional presence. Other things to help are bookmarks with the cover, where to buy it, and your website URL. If you don’t have your own website…GET ONE!

That’s it, that’s all.

Ciao for now,

T-Bone.

And Then the Work Paid Off! A Novel Sold!

It is with great pleasure that I announce the acquisition of my somewhat romantic paranormal novel, “Waking Anastasia”, by Tyche Books of Calgary, for release in 2016.

For me this is a monumentous event, as it confirms that what I think of as a delightful story about life, death, and dying is shared by someone who isn’t a family member.

So what is “Waking Anastasia” about? Well, here’s the pitch that got the manuscript read in the first place:

Why should being murdered keep Anastasia Romanova from living it up a little? She’s just a ghost, floating in front of a boy, wanting to be loved.

When Jerry Powell inherits a torn, bloodstained book of poetry he has no idea that it contains the soul of Anastasia Romanova. But when he accidentally awakens the royal ghost, he discovers that death hasn’t dulled her sense of mischief and joy for life whatsoever. Now he just has to keep up with her while dealing with a new job, a new city, and the possibility of a brain tumour.

“Waking Anastsia” is a humour-filled, paranormal, love story pitting a dying radio station manager soured on love and women against the ever-optimistic, century-dead teenaged Grand Duchess.

Alexandra Romanova and her four daughters, including Anastasia, second from the right.

I will be blogging much more later on about how the story started as a dream, became a screenplay, and then morphed into a novel. There will be all sorts of stuff about the research to bring Anastasia to life “as never before” as one critiquer has said, as well as where the history and the fiction blend.

Film rights are still available, so hurry. 2018 is the 100th anniversary of Anastasia’s murder. 🙂

That’s it, that’s all. Watch this page for further details in the months to come.

Thank you for all of your support. For a complete list of my currently available stories, check out my Amazon Author page: http://www.amazon.com/-/e/B003KCV338.

Ciao for now,

Tim.

www.tgmreynolds.com

Free for Kindle?

I know I’m going about this in the wrong order but I finally self-pubished my novel “The Broken Shield” as an eBook exclusively on Amazon for 90 days.

The Broken Shield by Timothy Reynolds

Very quickly, the reason for an Amazon exclusive was to have access to the Kindle Select features, which includes the ability to do a free giveaway for one to five days. This past weekend (September 13 & 14) I had a two-days-for-free giveaway of “The Broken Shield”. The book launched on July 21 for $2.99 and between then and August 23rd, a grand total of 22 eBooks sold. Then, for the next 20 days, not a single damned copy was downloaded. That’s right, not a one. But that’s okay, because 21 friends and family had already supported me. I bought the 22nd copy, back when it was the first copy. I knew the steam would run out on the book eventually, and it did.

So, zero sales for the 20 days leading up to this past weekend. The Kindle Select program requires a Kindle-exclusive for 90 days, but offers up, amongst other things, 5 days total of free giveaway. Not having done this before, I decided not to use up all 5 days at once, but rather go for the entire weekend. Two day of free. Another goal was to keep costs to zero, because there’s no point in spending a fortune in order to give something away. In order to promote this, I decided to only use social media. Facebook and Twitter are my go-to social medias, and even Twitter is seldom used, by me, at least.

This was my first post on Facebook:

Okay, Kindle-owners (and app-users)… My urban fantasy eNovel is now free! Go get it! If you read it and don’t like it, I will give you your money back, but only if you get it this weekend!

Where else will you find a history-bending adventure in which the hero has MS, hangs out with a whistling pixie, and can compare Jesus Christ and Adolf Hitler and make sense? This is NOT satire. It’s a story of the battle for our souls, with plenty of fighting, some humour, and warning about all those security cameras you see around you.

From Lake Louise to Tasmania to Tokyo to London to Chile to Holland to Central Park and even Mecca… can you handle the adventure, the danger, the broken hearts, and the sacrifices made for us by complete strangers?

The response took a few hours, but then the downloads started. Throughout the course of two days I made 9 posts on Facebook and 4 tweets. I also kept FB friends, apprised of progress, and made sure to express all the gratitude I was feeling.

On Saturday, downloads kept climbing, andI kept posting. On Sunday, I cut way back on posting to see the difference between heavy whoring and mild petting when the price is zero.

So, what happened once the freebee ball got rolling? Saturday saw 79 copies downloaded. On Sunday, 29 kind souls went for the download thing. That’s 108 copies! But it didn’t end there, because wherever Amazon is based out of, there were a few hours of Monday which were still Sunday for everyone else. Three more copies were uploaded. 111 total. Wow.

That’s 111 new readers. One cool thing about Amazon is that it lets me get a breakdown of which Amazon online stores saw which numbers. It doesn’t tell if if two Amazon.com buyers were from the USA and one from Mexico, but it does tell me that two used amazon.com and one used Amazon.com.mx.

That said, here is how 111 downloads break down, by Amazon websites:

• Amazon.com: 57 Saturday + 19 Sunday = 76 Total
• Amazon.ca (Canada): 11 + 4 = 15
• Amazon.co.uk (United Kingdom): 9 + 3 = 12
• Amazon.de (Germany): 2 + 3 + 1 Monday = 6
• Amazon.com.au (Australia): 0 + 0 + 1 = 1
• Amazon.com.br (Brazil): 0 + 0 + 1 = 1

 

And the next step is… Well, if this was just about selling/downloading, I’d move on to the next marketing tool, through Google or some such. But this is an experiment, a learning process. It’s sloppy experiment with no control group or true scientific method, but it’s still an experiment. The next step is to see if word-of-mouth can make any sales. Will anyone actually read it? Will they tell anyone else about it, and will any of those people buy the book now that the price has gone back up to the crippling $2.99USD?

“The Broken Shield” is a 101,000-word novel, so few people will read it in the next few days. When people do get around to reading it, not everyone will tell anyone or write a review. If they’re anything like me, they’ll take awhile to read it, and then they’ll forget to review it either on Amazon or on Goodreads, so I will remind them on a week or so.

My hope is that 20% will actually read it and maybe 25% of them will review it. That’s five or six reviews, and in the review world five favourable Goodreads reviews can start the ball rolling.

I’ll let you know how it goes.

In closing, here are the rest of the posts I put up on my Facebook wall and Twitter:

2: (Repeated on FB Author Page, too)  Money is just money, but a reader is someone you have touched with your words. My free-for-this-weekend promotion has just added 17 readers this morning. That’s as many as the total from July 21 to yesterday. I will make about $20 less in royalties, but 17 more people will now have a chance to join me in a story world where pixies are disguised as dogs, a Sasquatch is named Beauty, and the Shields of Light don’t just sacrifice their lives for us, they EACH do it over and over, for more than the last two thousand years.The Aussie link: (part of it is set in Tasmania!) US link (part is set in Central Park)

Canadian link (part is set in Lake Louise!)The UK link (part is set in London! 

3: It’s only available in English, but if your account is in Japan, here’s the link:  Part of it is set in Tokyo and one of the heroes is a Japanese woman living in South Africa.

4: Yes, my wall is full of my book today. It’s only a two-day promotion and I’m only using free social media to promote it. This is all part of my experiment, to see what can be done with a great story for little $$ outlay in marketing.

5: One last post before I leave you all alone and get some work done around the house…One of the favourite characters in The Broken Shield (free for Kindle today & tomorrow!!) with readers so far is Arvinder… a sassy, stylish, 2000-year-old gay East Indian living in London. You can call him any name you want, but don’t try to keep Arvinder from doing his duty for mankind—he’s a two-sword master and one of the deadliest people on the planet. Oh, and he has a wicked sense both of humour and style.

 

Phoenix

 6: I lied. A final book-whoring post for the morning, because people love dogs.This is Phoenix. She’s one of the heroines in The Broken Shield, and she’s not all she appears to be. Her story is free for Kindle today and tomorrow.

TWITTER:

1: Free eBook! 2 days only! Check it out! An urban fantasy novel with a hero with MS, and a smartphone app from Hell. (Amazon Link)

2: 1 Japanese heroine & brief scene in Tokyo, my (free 4 Kindle 2 days) eBook should be avail. in Japan (in English) (Amazon Japan Link)

3: And for Australians (and everyone else) today, my eBook for Kindle is FREE! (Amazon Australia)

Ciao for now,

Tim.

Swords & Sorcery Writers Are Doing It Wrong.

I use Grammarly’s grammar checker online because having poor grammar is worse than serving warm beer to your future ex-father-in-law.

~~~

In this post I’m not going to trash on Fantasy as a genre or Sword & Sorcery as a sub-genre of any form of media, but rather I’m going to rant on about something which drives me crazy within the genre.

Have you ever noticed that many fantasy novels talk about legendary events in their fictional kingdom/land which happened thousands of years before the story’s present, and yet in that present,  civilization still has advanced only to a medieval state of technological development? They still have only wagons, single-blade plows, and water wheels, and books are often still hand-illuminated, not mass printed. This would make self-publishing a bitch, but that’s not my point.

I’m currently reading George R.R. Martin’s Path of the Dragon, a fun short story in 2009’s The Year’s Best Fantasy (edited by David G. Hartwell). The heroine is now looking up at the statue of a harpy killed 5000 years before. 5000 years before the story’s present they had the weapons to kill a harpy, but in the 5000 years since that great victory, their civilization has still not developed tools more advance than swords, shields, and bows, and they still sail everywhere.

In 5000 years we have gone from the first oil-burning lamps to receiving images back from the Cassini Probe circling Saturn. 5000 years ago the Sumerians were just starting to use cuneiform writing instead of pictographic signs, and now we can access the sum of all published human knowledge with a device that fits in our pocket.

Now, before the fantasists get their jodhpurs in a knot, I want to put forth a theory to explain technological advancements, and why some civilizations don’t have them, especially in fantasy literature. Before this, though, I will concede the point that most of our greatest advancements have come about from the desire to kill each other faster and more efficiently. Many of the gadgets we enjoy now were developed for one military or another. What I want to address here, though, are advancements outside of the war machines.

We are lazy. Mankind… humans… peeps. We are inherently lazy, and it is our insatiable need to save time and energy and keep from getting our hands dirty which has brought about many of the grassroots advancements. We have gone from a lever and a fulcrum and manpower to lift one item at a time, to forklifts that can lift tons at once, and then drive the load across to the shipping container which will be lift by a crane as big as many castles. We have gone from a pulley and rope system to move objects on and off a ship’s deck, to the Canadarm moving payloads on the International Space Station.

The steam engine was known as the iron horse of the west.

We are lazy. Proof: Using steam power to produce mechanical motion goes back over 2000 years, and yet it wasn’t until the 1700s that steam engines became common. Why did we wait 1700 years to make use of steam as something more than entertainment? Well, steam power as we know it now, is a great labour-saving form of power and in the late 19th century was even achieving 10,000 horse power. Steam wasn’t a big deal for 1700 years because there was already a cheap, common labour-saving source of energy for most of that time… and it was slave labour. Take a look at civilizations who made use (and abuse) of slaves, and they were slow to try anything else with any seriousness. Once slavery became outlawed, devices began to pop up to save toil and sweat of the men and women who now had to be paid for their labour. As we all know, if an employer can find a way to get a job done with little or no expensive manpower, he will. Of course, some inventions caused a boom in the slave trade. The cotton gin is one such.

You’re asking what the hell any of this has to do with 5000 years of swords and bows and no advancement in a fantasy novel. Well, in some of those fantasy worlds, magic takes the place of (or supplements) slavery. Why invent a steam-powered battleship when a wizard can cast a spell and direct the winds? Why invent flying machines when dragons will do just fine? This sounds somewhat reasonable, doesn’t it?

Except that it’s not! In thirty years of reading fantasy, I have never read a single novel or short story where every man woman and child had enough magical ability that they didn’t need to lift anything heavy or carry anything on their backs or travel for miles by horseback or on foot. If everyone had magic, then I can understand why a society would stay at a medieval level of plow and broadsword for 5000 years. Maybe. But in almost every story I’ve read, magical ability is limited to the powerful few or the condemned few, and what that means is that if Johan down river has no cheap/easy access to magic, he’s going to look for easier and easier ways to move his goods up river to the market. He might start with a few good men on oars, then maybe a draft horse pulling from the shore. After a while he might think about a flat-bottomed boat with wheel of paddles on the back, doing the pushing and powered by men pulling on ropes or a draft horse walking on a turntable in the hull. Whatever he comes up with, as soon as his neighbour, Andre, sees the device, he’s going to try and do it one better. Then Johan sees Andre’s and makes modifications to improve on Andre’s already modified design. And so on and so on. The race is on and there is no end in sight…because Andre and Johan can’t afford slaves and they don’t have magic, and because they’re both lazy, greedy sons of bitches who need to feed their families and expand their businesses. From one mule to two. From two mules to six men. From six men to one horse and pulleys. From a horse to steam power. From a low-pressure, always exploding steam engine to a cast iron tank, greater pressure and more power. Then from two gears to three and then three to six, with sizes varying and then the torque multiplying tenfold. Like I said, no end in sight.

Some of you will argue that I’m ragging on fantasy novels and by their very definition as fantasy stories they can bend or break the usual rules. Of course they can. I hope they will. But for a reader

Dragon across a blue moon.

to suspend their disbelief and trust that magic exists in the story, the world still has to have certain conventions adhered to. If you go over the top with the fantastic creations, the story is lost within the imaginings. If you have talking dragons, horses with opposable thumbs, civilizations at the same level of social and technical development for 10,000 years, and everyone knowing everything instantaneously, the story about the half-deaf, half-elf, siamese twins in love with different girls, could get lost.

Wait! You say. There are numerous real civilizations/races/cultures who haven’t advanced!  Yes there are. There are primitive cultures even now who only have the more-than-a-bone-knife tools they were given, having developed very little on their own. They hunt, they fish, they farm a little, and they are primitive. They haven’t walked themselves over the threshold and into the world of metal working and the printed word and agricultural needs to feed growing masses. Until we fucked with them, they were peoples of killing only for food, oral traditions, and healthy lifestyles. But when was the last time you read a true fantasy novel in which the world was a primitive one? Not just one part of it, but the entire world? If there are any such novels, they are few and far between. Most English-language fantasy novels fall out of the same European medieval mold, and they get it wrong.

That’s all I’m really trying to say. These writers are being lazy and not letting their imagined world evolve and advance as it should. Am I nitpicking? Of course. It’s what I do. Will I change how people create their fantasy worlds? Not bloody likely. I’ll incorporate some of it myself, but the masses will follow along the same, unenlightened path, because that’s what the publishers and readers expect.

But what do I know? I drive a bus for a living. 😉

That’s it, that’s all.

Ciao for now.

T-Bone.

The cover of Tesseracts Seventeen, from Edge Publishing.

P.S. TESSERACTS SEVENTEEN is now available from Edge Publishing and it contains my absolutely marvellous short story, “Why Pete?”, which makes full use of technological advances as mankind tries to colonize the stars.

Way Down the Bucket List

Howdy howdy howdy.

As a Canadian writer of stories of a speculative nature, including science fiction, fantasy, and horror, it has been one of my goals/dreams to have a story appear in Tesseracts, the annual Canadian Spec Fic collection.

Over the years, the list of contributing authors to Tesseracts appears like a Who’s Who of Canadian speculative writing, including Margaret Atwood and Robert J. Sawyer. Come this fall, I will be counted as one of the lesser Whos in this literary Whoville with my science fiction story “Why Pete?”.

Of course, there are many other dreams for Canadian SF writers, including (but not restricted to) winning an Aurora Award, being published in On Spec Magazine, and, more recently, having a piece selected for ChiZine/Tightrope’s IMAGINARIUM, the new annual collection of Canada’s Best Speculative Writing. IMAGINARIUM’s innaugural issue was in 2012 and included one of my first published stories, so although it wasn’t yet on my Bucket List, it was checked off retroactively. Of course now my list includes making it into IMAGINARIUM 2013, especially since I had so many fun, eligible stories published last year.

Here now is the Official Table of Contents for TESSERACTS 17, being edited by Colleen Anderson and Steve Vernon and published by EDGE Science Fiction & Fantasy Publishing:

TESSERACTS 17: SPECULATING CANADA FROM COAST TO COAST TO COAST

• Introduction: What is a Tesseract? Colleen Anderson
• Vermilion Wine: Claude Lalumiere
• Night Journey: West Coast: Eileen Kernaghan
• The Wall: Rhea Rose
• 2020 Vision: Lisa Smedman
• Why Pete?: Timothy Reynolds (the harrowing tale of a space ark captain who awakens from hypersleep to find herself locked in her sleep pod and the only survivor of a freak catastrophe. It wouldn’t be so bad if the computer wasn’t programmed with her ex-husband’s voice).
• Bird Bones: Megan Fennell
• Bedtime Story: Rhonda Parrish
• Graveyard Shift: Holly Schofield
• Path of Souls: Edward Willett
• Sin A Squay: David Jón Fuller
• Hereinafter Referred to as the Ghost: Mark Leslie
• Anywhere: Alyxandra Harvey
• Secret Recipes: Costi Gurgu
• Star Severer: Ben Godby
• The Lighthouse Keeper’s Wife: Dave Beynon
• Graffiti Borealis: Lisa Poh
• My Child Has Winter in His Bones: Dominik Parisien
• Team Leader 2040: Catherine Austen
• Sand Hill: Elise Moser
• The Ripping: Vincent Grant Perkins
• Unwilling to Turn Around: J.J. Steinfield
• Pique Assiette: Catherine MacLeod
• Leaving Cape Roseway: John Bell
• Everybody Wins: Rachel Cooper
• In the Bubble: William Meikle
• Hermione and Me: Dwain Campbell
• Blizzard Warning: Jason Barrett
• M.E.L.: Dianne Homan
• The Calligrapher’s Daughter: Patricia Robertson
• Afterword: Editing Anthologies Made Easy: Steve Vernon

So, that’s it, that’s all. Yah, yah, I know… I don’t write a damned thing for months and then I treat you to a fricking table of contents. Sorry. Just be thankful I wrote anything at all. I’ve been languishing in the doldrums now for a month or two. This latest news, though, might just snap me out of it. Keep your fingers crossed.

Ciao for now.

T-Bone.

The Porn of Writing

Good evening.

I have found that writing stories both short and long is such an intimate activity, where we delve into our own souls and the world around us to find the depth and meaning which will give our characters and tales life and spark the imaginations of our readers, that I’ve started a blog about the whole story-writing process. It’s writing through a steamy lens, but still G rated. It’s less a manual and more an homage to our moments of creation.

fiftyshadesoftgrey.wordpress.com

This week it’s CHARACTER.  

For those who missed it, last week was the IDEA.

Coming Soon: The Menage-a-Plot, Straddling the Setting, Tying Down Conflict, Resisting Resolution.
Enjoy.

Cheers,

T Bone
(Tim G. Reynolds/TGrey)

www.tgmreynolds.com

The Writing Tools of Tim Reynolds

A 100-Word Short Story?

I didn’t really think I could write a complete story in only 100 words, but I really didn’t have a choice. It was an interesting challenge and, as usual, the idea came to me out of the blue while I was just driving along.

My story is “Temper Temper” and it is something of an ‘audition piece’ because although the top 20 entries will be published in an eAnthology, the top three will be picked and they will be invited to enter the first 3000 words of their unfinished novel to compete for a Curtis Brown Creative online novel writing course. Fingers and stuff are crossed. Here’s my entry, for your enjoyment:

Temper Temper

by

Timothy Reynolds

Leon slammed the spade’s blade into the dirt cellar floor. “Hack my Facebook account will she? Bitch! No wonder Dad ran off with the babysitter-slash-cheerleader when I was ten.”

The pile of dirt grew.  A car door banged shut. He dug faster, mumbling. “I’ll kill her, bury her, hack her Facebook account, and make it look like she’s travelling.” The shovel hit something hard. “What the hell?” He brushed off dirt. In the dim light it looked like two skulls and a pompom.

“Whatcha doing, Honey?”

Leon spun at the sound of his mother’s voice, but not fast enough.

###

Thanks for reading. Many thanks go out to my anonymous Beta readers who helped clean this story up by asking questions, making suggestions, or just telling me that this part or that part sucked..

Ciao for now,

T-Bone.

From beneath the cellar floor.